Simon Vouet's allegory La Richesse was painted about 1640, possibly for one of the royal chateaux of France

Simon Vouet's allegory La Richesse

was painted about 1640,

possibly for one of the royal chateaux of France (Louvre)

Simon Vouet French painter and draftsman, who today is perhaps best

remembered for helping to introduce the Italian Baroque style of painting to France

Despite his success in Rome, Vouet suddenly returned to France in 1627, following pressing recommendations from the Duc de Béthunes and a summons from the King. A French contemporary, lacking the term "Baroque", said, "In his time the art of painting began to be practiced here in a nobler and more beautiful way than ever before," and the allegory of "Riches" demonstrates a new heroic sense of volumes, a breadth and confidence without decorative mannerisms.

Vouet's new style was distinctly Italian, importing the Italian Baroque style into France. He adapted this style to the grand decorative scheme of the era of Louis XIII and Richelieu and was made premier peintre du Roi. Louis XIII commissioned portraits, tapestry cartoons and paintings from him for the Palais du Louvre, the Palais du Luxembourg and the Château de Saint-Germain-en-Laye. In 1632, he worked for Cardinal Richelieu at the Palais-Royal and the Château de Malmaison. In 1631 he also decorated the château of the président de Fourcy, at Chessy, the hôtel Bullion, the château of Marshal d'Effiat at Chilly, the hôtel of the Duc d’Aumont, the Séguier chapel, and the gallery of the Château de Wideville.

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